[Edited by Harry Pirie-Gordon.] Illustrated with many maps. First edition. 4to., original printed wrappers, cloth spine. Cairo, Produced by Government Press and Survey of Egypt and Published by the Palestine News.

3 photographic plates of figures at Chartres Cathedral printed from those originally taken by Lawrence. One of 24 copies, this being one of the 12 copies printed on Barcham Green "Medway" paper (no.17). 4to., original quarter linen backed Japanese paper covered boards, t.e.g., others uncut, a very good copy with only very mild bumping to the corners and spine. Corvinus Press. August

Including two Churchill TLS, an unrecorded Churchill ephemeron, and an unrecorded variant of the programme for the dedication. Various sizes, various dates, all

First American editions, printed to secure copyright. Each one of 56 copies. 8vo., original printed wrappers, separate good qulaity leather backed slipcases. New York, Doubleday, Doran & Company Inc.

2 pages, 4to. From "338171 A/C Shaw, R.A.F. Cattewater, Plymouth." April 1st,

1 page 4to., on lightweight paper. With envelope. 29 May

1 page, with 3 leaves of notes. No place, "Monday", probably

With the two illustrations of Kennington's bust of Lawrence and Augustus John's portrait of King Feysal. First edition. Square 12mo., original grey printed wrappers, wrappers loose, stapled as issued. London, The Leicester Galleries, Leicester Square. February 5th - 27th,

35 original photographic prints, each c. 54 x 75 mm, 3 in portrait format, the others landscape. Mounted (by Reggie Sims) rather crudely on cardboard mounts. 

To "Dear Callow". 2 pp. 8vo. Some light soiling, a couple of patches of abrasion indicating that the letter may have been removed from an album, some offsetting of ink, but in very acceptable condition. On letterhead of All Souls College, Oxford, Sept. 2 

First edition, one of thirty copies printed. 12mo., original printed wrappers, black paper spine. Privately Printed (in Axminster, Devon).

First edition, one of 25  copies on Barcham Green "Boswell" paper, of a total edition of 128 copies, signed by both authors. 4to., original cloth backed boards. Corvinus Press.

c. 135 leaves of laid machine-made paper watermarked "Queen of Scots / Extra Fine", bound in unlettered blue limp morocco. 69 poems in three sections, neatly written in black ink, many with pencil corrections, alterations and commentaries by the author: manuscript presentation on the first leaf "For T. E. Shaw from G.W.M. Dunn 3.4.33"

Three quarter-length pencil portrait of Lawrence, in Arab robes and head-dress, wearing a short dagger in his belt; c. 12 by 7.5 inches, signed "John" at lower right. Not dated by the artist, but from the "Paris Peace Conference" series executed in January, 1919. A little foxing, and some darkening from exposure. Newly matted in acid-free paper board, to show the artist's crop-marks at right, and replaced in its original frame, with a Redfern Gallery label on the back recording its sale in 1941 to one Miss Anne Joyce. [Paris, January,

Illustrated with photographs. First edition, one of 240 copies signed by the the author and printer. Small folio, original cloth backed boards. Upper Denby, Fleece Press.

With illustrations and maps. First trade edition (i.e. third English edition), fifth impression. 4to., original green hard grained morocco. T.e.g, others uncut. London, Jonathan Cape.

One of nine proof copies of the 1926 "Cranwell" or "Subscribers" edition, this copy almost certainly copy No. 8 according to Lawrence's account, from which the first American edition of 22 copies was set in type. With many wood-engraved initial letters and 13 of the original illustrations in the text, including pasted-in India paper proofs of, at page 339 a reproduction of a drawing, possibly by Eric Kennington and evidently an abandoned version of The Prophet and, at page 564 The Glory of a young Man by Kennington. The pictorial endpapers by Kennington are present as India paper proofs partially pasted down on to endpapers. Irregular collation, with many single leaves pasted on to neighbouring pages, and four pages present as pasted-on sheets of proofing paper lacking the initial letters. The preliminaries, up to the first page of text, were evidently unbound sheets when the book was inscribed, and have been sewn later. Folio, original plain wrappers, uncut. Wrappers with signs of handling including a two inch tear, without loss, to the spine, a one inch square section lacking from the gutter of the upper cover, and other slight wear to the extremities. Some occasional foxing to the text, and signs of use consistent with having been used as setting-copy. Fine blue morocco case. [London, Privately Printed.

Illustrated with initial letters by Edward Wadsworth and Blair Hughes-Stanton; 66 plates, mostly coloured, and 58 illustrations in the text, by Eric Kennington, Paul Nash, William Roberts, Blair Hughes-Stanton and others; folding maps and pictorial endpapers. Subscribers, or "Cranwell" edition, one of 170 complete copies, so inscribed by Lawrence. 4to., original red morocco gilt, the covers decorated with a sparse geometrical design of single gilt and blind rules, with composite corner panels of repeated quatrefoil tools, spine lettered in one of six panels, the other panels with a complementary design, by Robert de Coverly & Sons. T.e.g., fore and lower edges uncut. No Place, [London, Privately Printed].

First trade edition, de-luxe issue, one of 750 copies on hand made paper. Illustrated with various plates from the 1926 edition, and facsimiles. London, Jonathan Cape.

Illustrated with various photographs and maps. First edition. 8vo., original red cloth. Uncut. London, Jonathan Cape.

Edited by Major General G.P. Dawnay. First edition, 8vo., with the initial fourteen pages of advertisements and the subscription form loosely tipped in, original red wrappers, lettered in black, spine a trifle chafed. London, William Clowes & Sons, Ltd. April,

Edited by David Garnett. First edition. 8vo., original contemporary pigskin backed brown cloth, marbled endpapers, original unprinted tissue jacket, with marbled paper turn-ins. London, Jonathan Cape Ltd. 

Translated by T.E. Shaw (Colonel T.E. Lawrence). Title page illustrated with a device by Bruce Rogers. First trade edition, special issue. 8vo., original blue morocco, two double gilt rules on upper cover, blind on lower cover, spine lettered and decorated in gilt. Oxford University Press.

Forged manuscript of T.E. Lawrence's A Study of James Elroy Flecker. 3 pages of manuscript, written in black ink on thin typing paper, 2 leaves of which have carbon typing purporting to be transcripts of letters from Hussein Ibn Ali and General Wilson. Bound with blanks in quarter niger morocco with cloth sides, by Sangorski & Sutcliffe. Supposedly written in 1919, but in fact c. 

With illustrations by Edward Burne-Jones, Frank Dobson, William Nicholson, and Randolph Caldecott. Literary contributions by Thomas Hardy, W.H. Davies, John Crowe Ransom, David Garnett, John Doyle (aka R. Graves), Max Beerbohm, Edmund Blunden, Siegfried Sassoon and others. Folio, original pictorial boards by William Nicholson. London, Cecil Palmer.

First edition. 2 volumes. Large coloured, linen-backed, folding map (in rear pocket) & 8 plates (including 1 heliograph), some folding, with illustrations in the text. 8vo. Original green cloth with gilt vignettes on upper boards. Cambridge: at the University Press.