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		<description mode="escaped" type="text/html"><![CDATA[(HACQUEVILLE,  (Nicolas de))<i>Title-page within woodcut border, title in red and black, device on verso of final leaf.</b></i></u><br><br>Sm. 8vo. CXVII, (3) ff. Modern limp vellum, blindstamped fleur-de-lys on each cover.Rare edition of the sermons of the little known Franciscan Nicolas de Hacqueville from the press of the Lyons printer Antoine du Ry. <br><br>Provenance: Armorial bookplate and inscription, dated 1882, of Sir Thomas N. Dick Lauder.<br><br>Not found in Baudrier, BMSTC (French), Adams or OCLC/RLIN.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO17358.asp</link>
		<guid>http://www.maggs.com/title/CO17358.asp</guid>
		<title>Sermones dominicales moralissimi et ad populum instruendum exquisitissimi (ed. by Jean Quentin and Louis Vasseur). (Lyon, per Antonius du Ry, 12 November</title>
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		<description mode="escaped" type="text/html"><![CDATA[CHACON,  (Pedro)<i>Engraved frontisoiece, 5 folding engraved plates, one single plate, 13 full-page engravings and 2 half-page engravings, of scenes of Roman life. .</b></i></u><br><br>12mo. (6)ff. 445pp. (11)ff. Polished calf, triple gilt fillet, panelled spine (rebacked, spine laid down).Famous work on Roman banquets with interesting passages relating to wine, first published in 1588, to which is added Fulvio Orsini's (1529-1600) long appendix which continues the process of drawing from classical sources tales of feasts and banquets among the Romans.<br><br>Pedro Chacon (1525-81), a native of Toledo, was made canon of Seville by Pope Gregory XIII and instructed by him to provide commentaries on the Bible, Gratian's <I>Decretals</b></i></u> and other great texts of the early church. His great erudition on works both sacred and profane was admired by scholars such as De Thou and Casaubon but none of his works were published until after his death. Printed book label of Charles Butler of Warren Wood. Excellent internal condition.<br><br>Simon 344. Vicaire 174.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18836.asp</link>
		<guid>http://www.maggs.com/title/CO18836.asp</guid>
		<title>De triclinio sive de modo convivandi apud priscos Romanos. Amsterdam, Andreas Frisius,</title>
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		<description mode="escaped" type="text/html"><![CDATA[DESHOULIERES,  (Antoinette Ligier de la Garde)<i>Ornamental woodcut device on title-page.</b></i></u><br><br>8vo. (2)ff. (first blank) 228pp. (6)ff. Contemporary speckled calf, spine gilt in compartments.Very early edition of the poems of Madame de la Deshouli&#232;res, several of which were not in the <i>edition originale</b></i></u> of 1688 and appear here for the first time. This edition appeared a year before the appearance of the second part of the 1688 edition. The husband of the poet was an adherent of Cond&eacute; and was involved in the political troubles of the time, and she joined him in the Spanish Netherlands. She was ultimately ruined and for the last twelve years of her life suffered from cancer. Her best poetry was inspired by these misfortunes and the approach of death. She played an important role in Parisian literary society and received in her salon Corneille, M&eacute;nage, Conrart, Benserade, Fl&eacute;chier, Mascaron, Quinault, etc. She was also the centre of the clique that attacked Racine's <i>Ph&#232;dre.</b></i></u>Voltaire admired her works and Sainte-Beuve believed her reputation to be less than her merit.<br><br>Bound with the cancelland and cancellans of B1, the former omitting one line of text. <br><br>In excellent condition.<br><br>Tchemerzine IV, p.317, c. Lach&#232;vre <i>Les derniers libertins</b></i></u>(1924), p.115. Rochebili&#232;re p.258.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO17104.asp</link>
		<guid>http://www.maggs.com/title/CO17104.asp</guid>
		<title>Poesies . . edition nouvelle, augmentee d'un tiers. Amsterdam. Henri Wetstein,</title>
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		<description mode="escaped" type="text/html"><![CDATA[ERASMUS<i>Froben device on title-page and verso of final leaf.</b></i></u><br><br>8vo. (180)ff. Modern brown morocco.Extremely rare first edition of Erasmus' hugely influential work on speech and language, popular in schools and much reprinted throughout the century. Vander Haeghen lists eight editions published before the end of 1526 alone.<br><br>Provenance. 6-line inscription on title of one "Godefridus" dated 1576. Early annotations and underlinings throughout.<br><br>Title and last leaf soiled, quire N damaged at blank upper margin with some loss, some marginal waterstaining.<br><br>Vander Haeghen p. 117. VD16 E3156. Not in Adams, BMSTC (German), OCLC/RLIN.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO17311.asp</link>
		<guid>http://www.maggs.com/title/CO17311.asp</guid>
		<title>Lingua, opus novum, and hisce temporibus aptissimum. (Basle, apud Io. Frobenium, August</title>
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		<description mode="escaped" type="text/html"><![CDATA[FRIESE,  (Tilemann)<i>Title-page printed in red and black, some woodcut text illustrations of coins, large printer's device at end..</b></i></u><br><br>4to. (8)ff. 265pp. 18th century calf.First edition of this rare historical survey of numismatics by Tilemann Friese (fl. 1567-1592), a burgermeister from G&#246;ttingen, who formed a large personal collection of coins. An edition of 1588 mentioned by Lipsius almost certainly never existed.<br><br>The work is dedicated to Heinrich Julius, Duke of Braunschweig and L&#252;neberg, is divided into four parts, and in the foreword to him Friese writes that he has made use of the works of other writers including Guillaume Bud&eacute;, Charles Du Moulin, Johann Mathesius, Alberto Bruno and Paracelsus. The work begins with a general descriptions on numismatics and the various factors involved (e.g. the right materials, marks, standards, weight and alloy, etc.) The second chapter discusses the coinage of ancient races (i..e. the Chaldaeans, Persians, Hebrews, Greeks and Roman), and third part covers the state of the Holy Roman Empire from the birth of Christ up to 1588, with one chapter for each century. Finally, the fourth part (ff. 130-207) is an account of current coinage, which includes brief sections devoted to England, Spain, Portugal, France and Moscow. <br><br>At the end is a related treatise by Cyriacus Spangenberg: <i>Vom rechten Brauch und Missbrauch der M&#252;ntzen.</b></i></u> (ff. 209-63). Spangenberg is perhaps better known as one of the leading pupils of Martin Luther who gained a reputation for his outspoken views.<br><br>Provenance. From the Macclesfield Library with large armorial book-plate, and blind-stamp on first two leaves. Excellent condition.<br><br>VD16 F2890. De Kesel F14. Goldsmith-Kress Libray of Economic Literature 259.2.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO19017.asp</link>
		<guid>http://www.maggs.com/title/CO19017.asp</guid>
		<title>Muntz Spiegel. Das ist: ein new und wol. aussgefuhrter Bericht von der Muntz. Frankfurt, J. Feyerabend for S. Feyerabend,</title>
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		<description mode="escaped" type="text/html"><![CDATA[GOLNITZ,  (Abraham)<i>Engraved frontispiece, five folding tables (four of them very large).</b></i></u><br><br>12mo. 20, 278pp. (54)ff. Contemporary vellum.First edition of this geographical survey of the known world by the Danish writer Gollnitz.<br><br>Tear affecting one of the folding tables.<br><br>Willems 1000.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18695.asp</link>
		<guid>http://www.maggs.com/title/CO18695.asp</guid>
		<title>Compendium geographicum succinta method adornatum. Amsterdam, Louis Elzevier,</title>
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		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus). contributes toFirst edition. 8vo., original burgundy cloth, lettered in gilt. Durham, Taxvs Press.Number 40 of 50 hardbound copies, signed by the editor and Norman Nicholson. Heaney contributes the poem <i>A Paved Text</b></i></u>. Slightly marked on the rear panel, otherwise a fine copy.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45201.asp</link>
		<guid>http://www.maggs.com/title/MO45201.asp</guid>
		<title>Between Comets. for Norman Nicholson at 70. Edited by William Scammell.</title>
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		<description mode="escaped" type="text/html"><![CDATA[HOFFMANN,  (Leonhard Willibald)<i>54 engraved plates of coins (five of them folding), 4 folding letterpress tables (printed on both sides).>n><br><br>4to. 54pp. (1)f. + plates + tables. 18th century motted calf.Profusely illustrated coin catalogue, a survey of the gold and silver currency in use throughout the Holy Roman Empire, with illustrations of coins issued by the German States as well as coins in use in other countries including the Netherlands, Sweden, Denmark, France, Italy, Spain, Portugal, England and Poland. The first edition of the work was a very comprehensive production running to 364 pages of text, and clearly rather too bulky to carry around; since the work was intended as a manual for use by tradesmen and businessmen who wanted something portable, this edition was issued a year later in a much handier size with an abbreviated text which could be slipped into the pocket. The work would also have helped with the detection of counterfeit coins. Since it would have been in almost daily use, our edition is much rare than the 1683 full version. <br><br>The text consists of a survey of coinage from ancient times (e.g. the coins of the Babylonians, Hebrews, Greeks and Romans), right up to the author's own time, with comments on their values, dependent on their relative, weight. The illustrations show the obverse and reverse of 348 coins in use at the time (i.e. making a total of 696 engravings). The eight tables on the four leaves at the end list the coins with tables showing their relative worth.<br><br>Provenance. From the Macclesfield Library with large armorial book-plate, and blind-stamp on first two leaves. <br><br>A few captions slightly trimmed, A little browning.<br><br>VD17 3:646175Y. Not in Lipsius.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO19018.asp</link>
		<guid>http://www.maggs.com/title/CO19018.asp</guid>
		<title>Alter und neuer Muntz-Schlussel. Das ist grundlicher Bericht unter was vor seinem Kaserthum oder Konigreich . . . die mancherley Arten der Guld- und Silbernen Muntz-Sorten geschlagen worden. Frankfurt and Leipzig, J. J. Forster,</title>
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		<description mode="escaped" type="text/html"><![CDATA[HUTTICH,  (Joannes)<i>Title within fine historiated border, 184 medallion portraits (some blank in the centre), many by Hans Weiditz, one large initial, large device on verso of final leaf.</b></i></u><br><br>Sm. 8vo. (8), 91 (recte 88), (4) ff. Expertly rebound in antique calf.Rare first edition of Huttich's important medal book. It contains portraits, mostly taken form antique coins, and brief biographies of the Roman Emperors from Julius Caesar to Ferdinand and is adapted and improved from Fulvio's <i>Illustrium imagines</b></i></u> of 1517. The additional portraits of Frederick III, Maximilian I, Philip of Austria, Charles V and Ferdinand II are larger in size than the others. They are almost certainly taken from authentic portraits and show Weiditz as a woodcut artist at his best. Huttich, a native of Mainz and an archaeologist and numismatist was the first person north of the Alps to write on numismatics. R&#246;ttinger writes that the fine title-border is also the work of Weiditz. The large device at the end is a variant of a design of Hans Baldung Grien (see: Kat. Karlsruhe XV, S. 388, XLIV).<br><br>VD16, H6472. Muller 276, 57. Ritter 1235. R&#246;ttinger, <i>Weiditz</b></i></u> 167. Not in Adams or BMSTC.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18285.asp</link>
		<guid>http://www.maggs.com/title/CO18285.asp</guid>
		<title>Imperatorum romanorum libellus. (Strassburg, Wolfgangus Caephalius,</title>
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		<description mode="escaped" type="text/html"><![CDATA[JOYCE,  (James).Large 8vo., original full blue Chieftan goatskin, blind-embossed and blocked in gold, t.e.g., slipcase. Dublin, The Lilliput Press.Limited to 100 numbered copies signed by the editor and the introducer on the limitation leaf, which is printed on Arch&eacute;s mouldmade paper. A fine copy in matching cloth-backed slipcase.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO48085.asp</link>
		<guid>http://www.maggs.com/title/MO48085.asp</guid>
		<title>Ulysses. Edited by Danis Rose. Introduction by John Banville.</title>
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		<description mode="escaped" type="text/html"><![CDATA[JUVENAL<i>Engraved frontispiece.</b></i></u><br><br>12mo. (2)ff.120pp. Contemporary calf, morocco label.Excellent copy of this Irish edition of the satires of the Latin poets Juvenal and Persius.<br><br>Pencilled note on fly-leaf of R. A. Synge, dated 31 / 03 (19)05, signature of another member of the Synge family on title-page.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18692.asp</link>
		<guid>http://www.maggs.com/title/CO18692.asp</guid>
		<title>Deecii Junii et Auli Persii Flacci satyrae, ad optimorum exemplarium fidem recensitae. Dublin, george Grierson,</title>
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		<description mode="escaped" type="text/html"><![CDATA[LE SAGE,  (Alain-Ren&eacute;)<i>Title-page in red and black, three unsigned engraved plates.</b></i></u><br><br>12mo. (4)ff. 378pp. (2)ff. 18th century caalf, narrow gilt border, green morocco spine.<i>Edition originale</b></i></u> of this lesser known novel of Le Sage. Although one reads at the end of p. 378 "Fin du troisi&#232;me et dernier livre", Le Sage wrote another part which was published at the Hague in 1738.<br><br>A little waterstained at end, otherwise good condition.<br><br>Tchemerzine VII, p. 206. Brunet III, 1008.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18904.asp</link>
		<guid>http://www.maggs.com/title/CO18904.asp</guid>
		<title>Le bachelier de Salamanque, ou les memoires de D. Cherubin De la Ronda. Paris, Valleyre and Gisset.</title>
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		<media:thumbnail url="http://www.maggs.comhttp://www.maggs.com/i/newpreviews/1832/149100TR29393.jpg" />
		<description mode="escaped" type="text/html"><![CDATA[<img src="http://www.maggs.com/i/newpreviews/1832/149100TR29393.jpg" width="149" height="100" align="left" border="1" hspace="5" />LEECH,  (John).(and) <b>Topsy Turvey, - or our Antipodes.</b></i></u><br><br>Two hand-coloured engravings. 211 by 305mm. London, c.,The early days of the Victorian gold rush were famously male dominated, though the popularity of Ellen Clacy's work <i>A Lady's Visit to the Gold Diggings in 1852-1853</b></i></u> may have been the inspiration for the first of these two images, which originally appeared as the frontispieces to the 1853 and 1854 editions of <i>Punch's Pocket Book</b></i></u> respectively. <br><br>A life long friend of Thackeray, John Leech is perhaps best known for his contributions to <i>Punch,</b></i></u> which he joined at its inception in 1841, as well as for his illustrations for Charles Dickens' Christmas Books. Credited with using the term 'cartoon' for a large satirical print (DNB), his pictorial work played an important role in the transformation of humorous art from the often brutal and grotesque work of men such as Cruikshank (and before him Gillray and Rowlandson) to the gentler and more subdued satire of the mid to late Victorian period. Ruskin said of him: "His work contains the finest definition and natural history of the classes of our society; the kindest and subtlest analysis of its foibles, the tenderest flattery of its pretty and well-bred ways, with which the modesty of subservient genius ever immortalised or amused careless masters."]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Travel Books</author>
		<link>http://www.maggs.com/title/TR29393.asp</link>
		<guid>http://www.maggs.com/title/TR29393.asp</guid>
		<title>Alarming Prospect The Single Ladies off to the Diggings</title>
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		<description mode="escaped" type="text/html"><![CDATA[LINDSAY,  (David).First edition. 2 very large folding lithograph maps (1 coloured). Folio. Sewn as issued. 78pp. (Adelaide, C. E. Bristow,)This expedition was financed entirely by Sir Thomas Elder. "As the most important of the elaborate expeditions established for the purpose of completing the exploration of Australia, Lindsay's narrative... should be in every collection" (Wantrup). Included is a 5-page vocabulary of an Aboriginal language. Wantrup only records a 208pp 8vo edition. <i>South Australian Parliamentary Papers No. 45; Wantrup, 208.</b></i></u>]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Travel Books</author>
		<link>http://www.maggs.com/title/TR10292.asp</link>
		<guid>http://www.maggs.com/title/TR10292.asp</guid>
		<title>Journal of the Elder Exploring Expedition, 1891.</title>
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		<description mode="escaped" type="text/html"><![CDATA[MARIVAUX,  (Pierre Carlet de Chamblain de)5 parts in one vol. 8vo. Contemporary speckled calf, spine gilt with red morocco label.First published in the same years by Prault in Paris this Hague edition followed almost immediately. Marivaux (1688-1763) was more prolific as a dramatist and wrote only two novels but he was equally influential in this sphere. He anticipated the novel of sensibility in the glorification of a woman's feelings and intuition. Both of his novels, the other being <i>La Vie de Marianne</b></i></u>, concern struggles to survive in society and reflect the author's rejection of authority and religious orthodoxy in favour of simple morality. "With Marivaux the novel ceases to be primarily a study of manners or a romance of adventures; it becomes an analysis of passions to which manners and adventures are subordinate . . . Marivaux's realism took the form . . . of psychological analysis" (Edward Dowden, <i>A History of French Literature)</b></i></u>. Marivaux influenced novelists both in Britain and France especially in novels such as Fielding's <i>Joseph Andrews</b></i></u>.<br><br>Provenance: Armorial bookplate of Sir Robert Henderson Bt. of Fordell.<br><br>See Tchemerzine VII, p. 427.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO17341.asp</link>
		<guid>http://www.maggs.com/title/CO17341.asp</guid>
		<title>Le paysan parvenu, ou le memoires de M***. The Hague, chez C. de Rogissart and soeurs, 1734-</title>
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		<description mode="escaped" type="text/html"><![CDATA[MARMONTEL,  (Jean-Fran&#231;ois)<i>Engraved frontispiece.</b></i></u><br><br>2 vols. 12mo. Contemporary blue morocco, gilt border on red norocco inlay.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18820.asp</link>
		<guid>http://www.maggs.com/title/CO18820.asp</guid>
		<title>Les incas. Paris,</title>
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		<description mode="escaped" type="text/html"><![CDATA[MINUCIUS FELIX12mo. (8)ff. 173pp.(2)ff. Contemporary mottled calf, gilt and panelled back.First edition of this translation of <i>Octavius,</b></i></u> a dialogue in defence of Christianity which earned considerable merit. The author was a 3rd century rhetorician, said to be a native of Africa. In excellent condition.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18648.asp</link>
		<guid>http://www.maggs.com/title/CO18648.asp</guid>
		<title>L'Octavius de Minucius Felix. De la traduction de M. D'Ablancourt. Paris, par la compagnie des librarires associex du Palais,</title>
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		<description mode="escaped" type="text/html"><![CDATA[STRADA,  (Jacobus de)<i> Title with large printer's woodcut device, verso title a full-page woodcut of the arms of Johann Jacob Fugger (dedicatee). 390 splendid portrait medallion woodcuts representing coins and medals and 97 additional medallion woodcuts without the portraits filled in. Three large woodcut initials on cribl&eacute; ground. </b></i></u><br><br>4to. (44)ff. 339pp. (1)f. Contemporary green stained vellum over paste boards, remains of silk ties, r.e. (joints and headcaps restored).First edition of this erudite work which is one of the most important of all medal-books. The list of hitherto unpublished coins occupies eight pages. The first French edition was published only a month later by the same printer. The work contains an interesting introduction on Strada's travels and studies with extensive reference to Jean Grolier's library and coin collection, the latter still extant. <br><br>In the 16th century two trends in the reproduction of Roman coins were gradually established, firstly archaeological medal books started by Fulvio and Mazochius in 1517 and secondly the pattern book for other artists, such as the Huttich-Weiditz series of 1525 and 1534. It is Strada's achievement that he alone has led both fields. Bernard Salomon has long been regarded as the artist of the woodcuts (white design on black ground), recent scholarship however has questioned this attribution but has failed to come forward with any other suggestions as to the authorship of the cuts. However, it is undisputed that the artist of these splendid cuts commanded such delicate embellishing which make the Weiditz cuts in the same manner (Huttich, 1525) seem rather crude by comparision. <br><br>Lightly browned in places.<br><br>Provenance. Armorial booklate of Bibliotheca Trautner-Falkiana, i.e. the library of the Augsburg bibliophile Hans-Joachim Trautner (1916-2001).<br><br>Mortimer <I>Harvard, French</b></i></u> II, no.503. Cicognara 3018. Adams S1916.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO19111.asp</link>
		<guid>http://www.maggs.com/title/CO19111.asp</guid>
		<title>Epitome Thesauri Antiquitatum, hoc est Impp. Rom. Orientalium and Occidentalium Iconum, ex antiquis Numismatibus quam fidelissime delinatarum. Lyon, apud Iacobum de Strada et Thomam Guerinum, (excudebat Ioannes Tornaesius),</title>
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		<description mode="escaped" type="text/html"><![CDATA[TASSO,  (Torquato)<i>Engraved portrait of the author on title-page.</b></i></u><br><br>Sm. 8vo. (6)ff. 322pp. (1)f. 17th century gilt panelled English cslf, gilt back (rebacked with spine preserved, slight damage to upper joint of front cover).First completed edition of Tasso's poem on the creation of the world, which is considered one of the poet's finest achievements after the epic <i>Gierusalemme Liberata.</b></i></u> It is a long poem, written in blank verse, inspired by Saint Ambrose's <i>Hexameron</b></i></u> and perhaps by Du Bartas' <i>La sepmaine sacr&eacute; ou Cr&eacute;ation du Monde.</b></i></u> The first two parts of this posthumously printed work, and the works was completed thanks to the work of Angelo Ingegneri against the wishes of Cardinal Aldobrandini who believed that the work was "ben sanata d'ogni mancamento che vi fosse".<br><br>Gamba 965.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18599.asp</link>
		<guid>http://www.maggs.com/title/CO18599.asp</guid>
		<title>Le sette giornate del mondo creato. Viterbo, Girolamo Discepolo,</title>
	</item>
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		<description mode="escaped" type="text/html"><![CDATA[VICO,  (Enea)<i>I: Fine engraved title-page and 63 full-page engraved plates, woodcut coins in text. II: Fine engraved title-page, full-page plate incorporating bust of Julius Caesar and 8 full-page plates of coins.</b></i></u><br><br>3 works in one vol. 4to. (8)ff. 192pp. (2)ff. ; 130pp. (6)ff.; 112pp. (8)ff. 18th century half-calf, marbled boards, flat spine with labels lettered in gilt.A fine collection of works by Enea Vico published in France for the first time and prepared by Jean-Baptiste Duval from the original plates. As Mortimer notes, "Jean Baptiste Du Val secured a privilege in 1618 to print the works of Vico with the original copperplates. His edition of this title <i>Augustarum imagines</b></i></u> appeared in 1619, Paris, Fleury Bourriquant, for Mac&eacute; Ruette. Du Val reworked the plates and made substitutions and additions. Vico's plate XXIII was used at some time as an engraved title-page. it appears in 1619 with traces of a title and Venice imprint on the plate." The <i>Augustarum imagines</b></i></u> holds splendid engraved portraits of Roman Empresses and their female relations, from the grandmother of Julius Caesar up to the wife of Domitian, a masterpiece of mannerist book illustration. All the portraits are taken from antique coins and most are inserted in fabulous frames, all different, ornamented with putti, satyrs, allegories and monsters. The second work illustrates coins from the reign of Julius Ceasar with an explanatory text while the final work is an important discussion of the coins of antiquity which includes a list of collections of medals known to Vico at the time. All three works were first published at Venice, 1555-1560. <br><br>See Mortimer,<i>Italian</b></i></u>, no. 533.]]></description>
		<pubDate>Thu, 08 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO15370.asp</link>
		<guid>http://www.maggs.com/title/CO15370.asp</guid>
		<title>Augustarum imagines . . . Paris, apud Macaeum Ruette, 1619. [Bound with:] Ex libris XXIII commentariorum in vetera imperatorum romanorum numismata. Paris, [n.p.], 1619. Discorso sopra le medaglie de gli antichi. Paris, appresso Maceo Ruette,</title>
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		<description mode="escaped" type="text/html"><![CDATA[ALDINGTON,  (Richard).; GOLDONI (C.)Illustrated throughout with grey-tinted vignettes by Ethelbert White. One of an unspecified number of lettered copies ("F") from the issue of 75 on Japanese vellum, signed by the author, publisher and artist. 8vo., original red patterned boards, vellum spine. London, The Beaumont Press.An excellent copy.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO30765.asp</link>
		<guid>http://www.maggs.com/title/MO30765.asp</guid>
		<title>The Good-Humoured Ladies. Translated by Richard Aldington ... with a Preface on Goldoni by Arthur Symons.</title>
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	<item>
		<description mode="escaped" type="text/html"><![CDATA[ALEXANDER JUSTUSDocument on vellum. Size: mm. 43 lines of text in a cursive hand except for the more formal first line of the document.Alexander Justus, doctor of canon and civil law and chaplain of Pope Clement VIII, discusses a commission. This commission is perhaps for Gasparo Hercolano, who is mentioned reperatedly in the document.<br><br>At the foot of the document is a notarial sign manual showing crosed papal keys and the motto "sola fides sufficit" (i.e. "Faith alone is sufficient"), with the attestation of Constantinus Arcatorius, papal notary.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO13091.asp</link>
		<guid>http://www.maggs.com/title/CO13091.asp</guid>
		<title>Commission, during the papacy of Clement VIII, from the Papal Court. Rome, 21 August</title>
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	<item>
		<description mode="escaped" type="text/html"><![CDATA[AUDEN,  (W.H.).First edition. 8vo., original white card cover within light blue dust jacket printed in red and black. London, Faber and Faber.With the author's presentation inscription, "To Edward Upward with best wishes from Wystan Auden." Inserted are photocopies of the letter from Auden which originally accompanied the book - "I shall never know how much in these poems is filched from you via Christopher" - and of his 1926 poem 'Cinders'. The original manuscript of the poem, as well as Upward's copy of the 1928 <i>Poems</b></i></u> is now in the British Library, as are the rest of Upward's papers. The dedicatee of the 1930 <i>Poems</b></i></u> is, of course, Christopher Isherwood, so this is perhaps the place to mention Stephen Spender's impression of the literary hierarchy that then obtained: Spender deferred to Auden, Auden deferred to Isherwood, Isherwood deferred to Upward, and Upward deferred to nobody. One of 1000 copies printed (Bloomfield and Mendelson A2a). Dust jacket torn, chipped and split along the backstrip with loss of several fragments, but internally clean. Housed in a modern folding case.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO43613.asp</link>
		<guid>http://www.maggs.com/title/MO43613.asp</guid>
		<title>Poems.</title>
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	<item>
		<description mode="escaped" type="text/html"><![CDATA[CANISIUS,  (Heinrich), 1548-1610<i>Title-page in red and black.</b></i></u><br><br>8vo. (12)ff. 654pp. (31)ff. 52pp. (6)ff. Contemporary black morocco, single gilt fillet, gilt spine.<br><br>Well bound copy of this legal commentary on the <i>Institutiones</b></i></u> and <i>Decretales,</b></i></u> first printed in 1600 and re-published several times in the 17th century. The author was professor of law at the University of Ingolstadt. In good condition.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Continental Books and Manuscripts</author>
		<link>http://www.maggs.com/title/CO18462.asp</link>
		<guid>http://www.maggs.com/title/CO18462.asp</guid>
		<title>Summa iuris canonici in quatuor institutionum libros contracta. Accessit commentarius in regulas iuris lib. VI Decret. Antwerp, Hier. Verdussen,</title>
	</item>
	<item>
		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus).First edition. 8vo., original blue wrappers. Belfast. Department of Further Professional Studies in Education, The Queen's University of Belfast.Inscribed by the author: "To Lynn, Seamus Heaney". The second issue in blue wrappers, mistakenly copyrighted 'Seamus Heaney 1983'. A fine copy.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45238.asp</link>
		<guid>http://www.maggs.com/title/MO45238.asp</guid>
		<title>Among Schoolchildren.</title>
	</item>
	<item>
		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus).First edition. 8vo., original printed wrappers. Dublin, Amnesty International.Single printing of 1000 copies on laid paper, with the author's signature in facsimile. A fine copy.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45237.asp</link>
		<guid>http://www.maggs.com/title/MO45237.asp</guid>
		<title>Dylan the Durable? On Dylan Thomas.</title>
	</item>
	<item>
		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus).First edition. 8vo., original quarter brown cloth with lime green paper boards. New York, Farrar Straus Giroux.A fine copy in dust jacket.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45135.asp</link>
		<guid>http://www.maggs.com/title/MO45135.asp</guid>
		<title>Sweeney Astray. A Version From the Irish.</title>
	</item>
	<item>
		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus).First US edition. 8vo., original quarter sand cloth, dust jacket. New York, Farrar Straus and Giroux.A fine copy in dust jacket, lightly rubbed at extremities.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45656.asp</link>
		<guid>http://www.maggs.com/title/MO45656.asp</guid>
		<title>Electric Light.</title>
	</item>
	<item>
		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus). contributes toEdited by Peter Dale and William Cookson. First edition. 8vo., original white wrappers. London, Agenda and Editions Charitable Trust. Agenda Volume 27, Number 1.Heaney contributes a 15-page essay ("Learning From Eliot"), a translation from Dante and two poems. The upper cover reproduces a black-and-white drawing of Heaney by Louis Le Brocquy. With publisher's catalogue loosely inserted. A fine copy.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45125.asp</link>
		<guid>http://www.maggs.com/title/MO45125.asp</guid>
		<title>Agenda. Seamus Heaney Fiftieth Birthday Issue.</title>
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	<item>
		<description mode="escaped" type="text/html"><![CDATA[HEANEY,  (Seamus). contributes toFirst edition. 8vo., original green cloth, dust jacket. London, Faber and Faber.Heaney's interview comprises nineteen pages. Other interviewees include Thomas Kinsella, Paul Muldoon, Richard Murphy and Tom Paulin. A near fine copy in a price-clipped dust jacket.]]></description>
		<pubDate>Wed, 07 May 2008 00:00:00 GMT</pubDate>
		<author>Modern Books and Manuscripts</author>
		<link>http://www.maggs.com/title/MO45651.asp</link>
		<guid>http://www.maggs.com/title/MO45651.asp</guid>
		<title>Viewpoints. Poets in Conversation with John Haffenden.</title>
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